Alec Baldwin, James Franco, John Cleese, Anjelica Huston, Heidi Klum and Omar Sy are set to voice characters in Arctic Justice: Thunder Squad, director Dimos Vrysellas’ CGI family pic from AMBI Pictures. The film follows an arctic fox named Swifty who longs to join a team of package delivery huskies working for the Arctic Blast Delivery Service. To prove himself, Swifty commandeers a sled of his own and, by himself, takes a package to an icy fortress owned by an evil genius (and Walrus) planning to take over the world. AMBI Distribution, the worldwide sales arm of the AMBI Group, will oversee global distribution for the film; deals are intended to begin closing during Cannes.
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James Franco is going back in time for Hulu.
Earlier this morning at the Hulu Upfront Presentation in New York City, the streaming service announced that Franco will star in the nine-hour limited event series 11/22/1963, a thriller based on the best-selling 2011 novel by Stephen King.
Executive produced by the creative dream team of King and J.J. Abrams, 11/22/1963 follows high school history teacher Jake Epping (Franco) as he travels back in time to prevent the assassination of President John F. Kennedy. Complications arise in the form of Lee Harvey Oswald, love, and the past itself, which, according to the series synopsis, doesn’t want to be changed.
Hulu announced five new original programs in all at the upfronts, including Difficult People, a comedy executive produced by Amy Poehler. Starring Billy Eichner and Julie Klausner, the series follows two best friends dealing with awkward situations in New York City, and will premiere some time this summer.
Not content with merely creating something new, Hulu is also taking an enormous step towards becoming master of the online domain by acquiring the exclusive subscription video-on-demand rights to Seinfeld (Jerry Seinfeld himself made a surprise appearance at the event to announce the big news).
Seinfeld will be available for Hulu subscribers to stream beginning this June
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James Franco enjoys making films that “make us uncomfortable”.
The 37-year-old actor stars in the American drama movie ‘I Am Michael’, which is based on Benoit Denizet-Lewis’ New York Times Magazine article ‘My Ex-Gay Friend’, and admits he’s a fan of movies that cause its audience to think.
Reflecting on the movie, James – who plays a gay rights activist who later denounced his homosexuality – said: “There’s the coming out narrative, the fighting for rights narrative, the closeted secret affair narrative, like we saw in ‘Brokeback Mountain’.
“All of these films are very important, but not every movie needs to be like that. Once those stories are told, we can tell unexpected ones that might challenge us or make us uncomfortable in some ways.”
However, James thinks there are certain aspects to his film that distinguishes it from other movies made in recent years.
He told BlackBook: “What I think is so innovative about ‘I Am Michael’ is that we’re watching a man go in an unexpected direction, and that direction brings up a lot of questions about identity, and what identity consists of, and how it’s defined, and who gets to decide.
“And this film tackles faith versus sexuality, and the tensions there, in an important way.”
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ery week in the Culture List, Vanity Fair editors present a ruthlessly curated selection of parties, art openings, exhibits, and mustn’t-miss events. This week includes the Robert De Niro’s Tribeca Film Festival, art from one half of a Parisian powerhouse couple, and two major Broadway openings.
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James Franco has come on board to direct and produce William Gay’s “The Long Home,” a coming-of-age story set in rural Tennessee in the 1940s.
Franco and Vince Jolivette will produce through their Rabbit Bandini Productions.
The story centers on a young and headstrong Tennessee carpenter who lost his father years before to a human evil and is forced to make difficult moral choices to face up to that evil. “The Long Home” was Gay’s debut novel and won the 1999 James A. Michener Memorial Prize.
Franco is currently producing, directing and starring in “In Dubious Battle,” based on John Steinbeck’s 1936 novel about labor conflict. The cast includes Franco, Selena Gomez, Vincent D’Onofrio, Robert Duvall, Ed Harris, Bryan Cranston, Nat Wolff, John Savage and Sam Shepard.
Franco has also directed two adaptions of William Faulkner novels set in the rural South through Rabbit Bandini — 2014’s “The Sound and the Fury,” which played at the Venice and Toronto Film Festivals, and 2013’s “As I Lay Dying.”
He was last seen in Sony’s “The Interview,” which he exec produced.
The deal for “The Long Home” was made by Geoff Sanford at RWSG Literary Agency and Pat Walsh at Dzanc Books. The news was first reported by Publishers Weekly
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The A-list cast discusses True Story, which tells the real-life tale of Mike Finkel, a disgraced New York Times journalist who develops a close bond with a suspected killer.
In December 2001, Mike Finkel, a prolific New York Times Magazine journalist, was roped into the most bizarre story of his career. An Oregonian by the name of Christian Longo, who had been accused of brutally murdering his wife and children, had used his name as an alias while he was a fugitive on the run. Then, Finkel’s career came crashing down when his Times Magazine cover story on the life of a young Ivory Coast laborer on a cocoa plantation, “Is Youssouf Malé a Slave?,” was proven to include fabricated and conflated facts. So Finkel, in an effort to repair his name, pursued the Longo story and attempted to get to the bottom of why he used his name, and whether this charismatic, attractive accused killer really did what they say he did.True Story, directed by Rupert Goold, tells the “true story” of Finkel (Jonah Hill) and Longo’s (James Franco) complex relationship. The more Finkel learns about Longo, the more he begins to empathize with him—and believes he may be innocent. All this doesn’t sit well with Finkel’s girlfriend, played by Oscar nominee Felicity Jones (The Theory of Everything), who begins to question whether the man she loves is once again committing a journalistic sin.
Watch an exclusive behind the scenes video on “The True Story Behind True Story,” featuring the A-list cast (Hill, Franco, and Jones) and crew discussing the strange case and the making of the film:
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On last night’s LATE SHOW WITH DAVID LETTERMAN, guest James Franco chatted about North Korea’s Kim Jong-un and his contraversial film “The Interview”. Check out the appearance below!
About LATE SHOW WITH David Letterman:
One look at the LATE SHOW makes it apparent that the program, which is often imitated but never matched, is unlike any other talk show. With its commitment to showcasing the most sought-after stars in entertainment, music, sports and politics, as well as its around-the-town remotes and visits to local establishments, its surprise guest appearances, inventive comedy segments and signature Top Ten List, the LATE SHOW delivers an unpredictable hour of innovative viewing each night.
The LATE SHOW has received numerous honors, including 70 Emmy nominations and nine Emmy Awards, including six for Outstanding Variety, Music or Comedy Program in 1994, 1998, 1999, 2000, 2001 and 2002. The show was named Program of the Year at the 1994 Television Critics Awards, and in 1995, 2001, 2011 and 2012, Letterman was nominated for a Career Achievement Award by the TCA. Letterman was awarded the prestigious Johnny Carson Award for Comedic Excellence at Comedy Central’s first annual “The Comedy Awards” in March 2011. He has won two AMERICAN COMEDY AWARDS as Funniest Male Performer in a Television Series and a Foundation Award from the International Radio and Television Society for his “extraordinary domination in late-night television.” Letterman was also honored as “Favorite Late Night Talk Show Host” at the 31st Annual People’s Choice Awards in 2005.
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James Franco took time away from filming his upcoming screen adaptation of John Steinbeck’s In Dubious Battle to talk with a crowd at The Plaza Theatre in Atlanta earlier this morning. The discussion was part of the Atlanta Film Festival , being held in multiple venues throughout the city from March 20th through 29th.
Franco shared his view on multiple topics, ranging from his experiences in acting and directing to advice for budding new filmmakers. The following are a few highlights, along with some photos from the event.
Never Stifle Creativity
With the internet making it extremely easy to reach audiences with platforms such as YouTube and Vimeo, there is nothing that should “stay sitting on the shelf.” He emphasized this importance of getting a final product in front of an audience, saying “I do believe feedback is incredibly important… That is the final ingredient that will make you better.” He also cautioned that some of that feedback can be harmful. Just read the comments section of nearly any YouTube video and you can understand why. In the context of Franco’s “Jack of All Trades” career, including acting, writing, directing, painting – there’s not much the guy hasn’t dabbled in – he advised to not listen to critics that try to pigeonhole talent. Promoting creativity was one of the main messages taken away from his discussion.Resist Micromanaging
Ultimately, Franco is able to do so much because he lets the crew do their jobs. Film production is daunting feat, requiring writing, camera work, lighting, acting, sound, editing and more, and all these disciplines must work together to create the vision of the director and/or producers. He used The Room by Tommy Wiseau as an example, commending Wiseau on his ambition and ability to execute, saying that “He got it done and he made his movie. But, he was working in a collaborative medium, and not understanding it was a collaborative medium. If he had just asked for a little help…maybe he wouldn’t have had to have shot the whole thing in…the parking lot of the lighting rental place.”Place Yourself Among Those You Trust
Another topic that Franco discussed was the necessity of working with people he trusted, which made it easy for him not to micromanage all aspects of production. Along with his usual crew of Seth Rogen and Evan Goldberg, he mentioned a current co-star from In Dubious Battle, Vincent D’Onofrio (of Full Metal Jacket and Law & Order: Criminal Intent fame). Franco said that there was no reason for him to have to explicitly tell D’Onofrio every detail because he trusted him with the character.In all, Franco talked for about forty-five minutes to an hour, despite a late night of filming the previous day. The man must run on a gallon of coffee each day, and it was clear the audience was very appreciative for the insights into the film industry which he offered.
Other events showcasing Franco’s work this week at the festival include The Heyday of the Insensitive Bastards (producer), Masculinity/Femininity (actor), and I am Michael (actor).
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This week in “Things James Franco Does,” Four Two Nine magazine asked if “Gay James Franco” would interview “Straight James Franco.” The full piece isn’t online yet, but Slate published a pull quote from the interview, surmising that “gayness might be defined as something separate from homosexuality,” but also further proving our personal conspiracy theory that there are actual multiple James Francos. (How else could this guy do so many projects?)
Straight James: Let’s get substantial: are you fucking gay or what?
Gay James: Well, I like to think that I’m gay in my art and straight in my life. Although, I’m also gay in my life up to the point of intercourse, and then you could say I’m straight. So I guess it depends on how you define gay. If it means whom you have sex with, I guess I’m straight. In the twenties and thirties, they used to define homosexuality by how you acted and not by whom you slept with. Sailors would fuck guys all the time, but as long as they behaved in masculine ways, they weren’t considered gay.
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James Franco has a child-like enthusiasm when he is behind the camera, his brother Dave has revealed.
The siblings team up for Zeroville, which also sees James in the director’s chair. The comedy-drama, which also stars Seth Rogen, Danny McBride, Megan Fox and Will Ferrell, is the big-screen adaptation of Steve Erickson’s 2007 novel of the same name.
“I love working with him in that capacity, with him as a director, just because he’s the happiest when he’s behind the camera,” Dave said.“He’s like a little kid when he’s directing. His energy is very infectious. Obviously, he’s a great actor too so he knows how to talk to actors and he can get great performances out of you. I would love to keep working with him in the actor-director relationship.”
Zeroville looks at the power of movies and the influence of Hollywood through the eyes of a young man, who arrives in Hollywood in 1969, during a transitional time in the film industry.James shaved his hair off for his role.
Dave added: “To be honest, I only have a cameo in that movie. We’ve already shot everything, I was only there for one day.”
James Franco has our book cover on his head. Steve Erickson's Zeroville. #venicefilmfestival2014 @europaeditions pic.twitter.com/YC8dz8pt3X
— Michael Reynolds (@reynoldsmichael) September 8, 2014